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If you鈥檙e a bit of a local history buff and you meet an architect, you might want to chat about the old buildings in your area. There鈥檒l be lots of things you鈥檇 like to find out about: the kind of columns on the manor porch, the date of some houses, what the decoration means on the church. Or you may just welcome the chance to talk to a fellow enthusiast. Be prepared for a disappointment. The odds are that your new architect friend knows absolutely nothing about anything historic and, what鈥檚 more, isn鈥檛 that interested.

If you still want to chat to your acquaintance about his professional interests, keep off architectural history and stick to things like the latest way of fixing titanium fins or whether solar panels can look sexy. For most architects, history starts in a small way in 1930; before that everything is irrelevant. It can even be dangerous, because if they got to like old buildings they鈥檇 lose their architect friends. Going out of your way to know nothing about what architects did in the past is not thought a handicap by architects today; on the contrary, it can be a badge of pride.

You鈥檇 think that, as most architects design in historic places sometime in their career, a rough idea of what old buildings are about might be useful. But what architects thought in the past is not what today鈥檚 architects want to know; they鈥檙e much more interested in finding some mystery proportion or obscure philosophical principle that only they can understand. And once they鈥檝e found it, they can argue forever that any weird shape or odd collection of materials will fit in. It doesn鈥檛 matter that nobody else can spot the great secret they claim to have discovered.

Architects don鈥檛 care if anyone else can understand what they鈥檙e doing. They鈥檙e just as proud of not knowing what the public think as not knowing anything about history. For architects, nothing is more annoying than public opinion. The trouble is that normal people care about building style and there鈥檚 a serious danger that, if you ask the public, they might ask you to design something they like.

For most architects, history starts about 1930; before that everything is irrelevant. and if they got to like old buildings they鈥檇 lose all their architect friends

 

Just in case this does happen, architects have already worked out a handy get-out clause. Each time the subject comes up they spout the same old mantra: what matters is quality, not style. This is a clever way of getting out of the problem but it鈥檚 not quite what it seems. Saying quality matters is like saying virtue is good; it means nothing. So what this really means is just that style doesn鈥檛 matter. Which, of course, it does. But saying it doesn鈥檛 matter means, 鈥淚 don鈥檛 care what style you want, I鈥檒l design in my own style, thank you very much.鈥�

Of course, it鈥檚 best to avoid the problem by not asking. It鈥檚 much easier not to know than to find out. If you know, either you have to take notice or admit you鈥檙e not taking any notice. If you don鈥檛 know, you can claim that the public do like it really, or that you think the public are coming round, or even that the public should like it and soon will if you give it to them. The last thing that architects want to do is to worry about what the people who have to live with their buildings actually want; this will get in the way of their artistic genius. They鈥檇 prefer to behave like an author who isn鈥檛 interested in whether anyone鈥檚 going to read their novel. Ignorance, after all, is bliss.

Although most architects don鈥檛 know and don鈥檛 care about what anyone other than their fellow architects think about their buildings, they do want to make sure that everyone can see them. This needs lots of space around the building and this is called 鈥減ublic space鈥�, which sounds good but isn鈥檛. It鈥檚 only public if the public use it and, often as not, it ends up bare, barren and dotted with little eddies of dust, crisp packets and newspapers.

For architects, towns and cities are just big display cases for their work. The fact that the place matters so much more than the building is something else they just don鈥檛 want to know. Making good cities is the last thing on their minds. As the heroic urbanist Jane Jacobs was heard to say, 鈥淭he most cunningly ignorant people I know are architects.鈥�